Theatre 625:The Year of the Sex Olympics (1968)

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Settle down folks! “An American View” hasn’t suddenly shifted into a smut site or anything, although I predict that this article title will bring lots of the WRONG sort of internet traffic here. No worries, I just decided to take another plunge into the fine world of public domain BBC TV stuff by Nigel Kneale (as found on YouTube)! This week, we’re taking a look at the audaciously named TV movie The Year of the Sex Olympics, part of an anthology show called Theatre 625. Theatre 625 had some big hits including a remake of Kneale’s 1954 teleplay of George Orwell’s Nineteen Eighty Four in 1965. The Year of the Sex Olympics is particularly notable because it basically predicts our current media culture and the advent of reality television.

With an opening card proclaiming “Sooner than you think” one can see that Nigel Kneale was really worried about the issues lampooned here. Kneale had to have seen the advent of lowest common denominator programming like so-called “reality TV”, but I can’t find any articles or interviews with him on the issue of a TV genre that he accidentally created all those years ago. His death, in 2006, did bring some comments from others about it, such as the following snippet of a Guardian interview by Mark Gatiss (The League of Gentlemen, Clone, Doctor Who, Sherlock): “When Big Brother began on Channel 4 in 2000, I took a principled stand against it. “Don’t they know what they’re doing?” I screamed at the TV. “It’s The Year of the Sex Olympics! Nigel Kneale was right!””

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Kneale was apparently influenced to create The Year of the Sex Olympics due to his own concerns about overpopulation, the counterculture of the 1960s, and the societal effects of television. To most, this comes as no surprise as Kneale can be seen as a “cranky old man” that saw anything youth-related as evil in some way. To put this on perspective, Kneale was the very same man that cast “hippies” as the antagonists of his fourth Quatermass serial (something I will review soon) and routinely made it seem like anyone under the age of forty was in some way morally deficient in his writings.

This isn’t a bad thing by any means, just a sign of the times. Britain was in turmoil during this time, and many of the “Greatest Generation” (using an American term) had no idea why “Baby-Boomers” were always so pissed off. I’m part of “Generation Y”, and routinely get irritated with my parent’s generation and how they treat us, and reading up on stuff like this makes me see that they had it the very same way.

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The Year of the Sex Olympics depicts a world of the future where a small elite class (people called Hi-Drives) control the media and government. In order to keep power, these Hi-Drives keep the lower classes (Low-Drives) docile by broadcasting a constant stream of “entertainment” designed specifically to remove any ambition to act and to relieve all stress. Essentially, the Hi-Drives pull this off by concentrating on constant and total immersion into a world of reality TV. This includes mind-numbing programs including one baffling example involving rotund men with no shirts on hurling whipped cream at each-other, and various themed “sex shows” that masquerade as sports and arts, but are really just pornography.

One Hi-Drive, Nat Mender (Tony Vogel), believes that the media should be used to educate the low-drives, and not simply allow them to rot away. He has become disillusioned by his peers and society itself due to social norms forbidding him from having any real connection to his lover Deanie (Suzanne Neve) or his own daughter, Keten (Lesley Roach). For a while, Nat’s “boss”, Co-Ordinator Ugo Priest (Leonard Rossiter), tries a lot of different things to illicit new responses from his audience, one of which being old-fashioned slapstick comedy. Anything seen as traditional or old-fashioned is generally frowned upon by this society, so this doesn’t go over well. After the accidental death of a renegade artist gets a massive audience response of laughter due to it being broadcast live on-air, Ugo Priest decides to commission a new style of entertainment: reality television.

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The flagship show in this initiative is called “The Live Life Show”, and stars Nat’s family. They have been stranded on a remote Scottish island while the low-drive audience watches. This is pretty monotonous and boring until “reality” gets “spiced up” by Lasar Opie (Brian Cox), Nat’s former co-worker and one of the big-wigs that runs a lot of the TV production. The producers introduce a psychopath named Grels (George Murcell) to the island, and lets him loose on a murderous rampage.

Some of the Hi-Drives such as one named Misch are incredibly annoying, showing how awful their society is in the grand scheme of things. This isn’t annoying in the “this actor sucks” sort of way, but the “man, these characters are horrible people” sort of way. Their language has degenerated into a juvenile mixture of jumbled sentences full of missing words and slang, and constant whining. Anything that isn’t in some way pleasurable gets an awful response usually involving a temper tantrum.

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Comparing these people to something modern is easy, as she reminds me of some of the inhabitants of “the Capital” in the Hunger Games series based on their complete separation from reality and vapid personalities. It’s like someone took the trashy, almost mindless essence of your modern “famous for being famous” “celeb-utant” like Paris Hilton or Kim Kardashian and ramped it up to an insane degree.

A great example of their speech patterns happens to be one of the first scenes in the show itself, and has Misch utter the following, as she is the host of the most popular sex show, Sportsex:

“Here we go again, bubbies and coddies! Comfy and cosy are you all? Tonight, we got lots of real super-king talent for you all, so keep your eyes with us! Stay looking! First we got those two top lovers, Cara Little and Stewart Tenderleigh! Hello there, Stewart and Cara! Been on this show a jumbo lot of times. Winners of the Kama Sutra Prize last year. Now in training for the Sex Olympics.”

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One thing of note that could be both good or bad depending on how you look at it, is that this serial is in black and white. This is due to the color versions being lost like many TV programs of the time due to “junking”. One can see that everyone is wearing seizure-inducing colorful patterned clothes and heavy bodypaint in such high quantities that the whole thing would probably look laughably outdated and silly. I feel that this sort of ”masks” the garishness of the future clothes to the point where they aren’t so bad. On one hand the show is incomplete, on the other it seems more “important” this way, somehow.

One can watch The Year of the Sex Olympics and immediately feel bad, because an over-the-top fear that a man had in the sixties has basically come true. Most television watchers consume shows just like Live Life Show on a daily basis, with the same camera angles, boring dialog, and manufactured turmoil to “spice” the reality up a bit. It’s an almost eye-opening experience to watch this, and really shows you how far our culture has been diluted in some ways. I’m not going to go for the hyperbolic statement that we are the Hi-Drives and Low-Drives, but it’s pretty close. People speak in annoying short-hand “text speak”, dress like Lady Gaga, and gawk at the exploits of those more wealthy than ourselves. Just give it a few years and we’ll have shows about fat guys that throw whipped cream at each other.

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The Monday Meme: Independent State of Eyebrows

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If you have a funny image that would make a great edition of The Monday Meme, feel free to send it to my Tumblr, Facebook, or email it to me! Links for these options are located in the links at the top of the page! Don’t be surprised to see it on here someday!

Doctor Who: Deep Breath (2014)

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“Look at the eyebrows! These are attack eyebrows! You could take bottle tops off with these! They’re cross, crosser than the rest of my face. They’re independently cross. They probably want to cede from my face and set up their own independent state of eyebrows!”

 

It’s been a long eight months since the newly-born Twelfth Doctor mused about his new kidneys. Eight months where I had to recover from what was most likely a Doctor Who overload during the 50th anniversary celebrations. So here we are, summer 2014, and I don’t know about you guys – but I’m glad my favorite TV show is back! I’m especially glad that the recent trend of having short seasons, split seasons, and other things that generally make me (and a lot of other fans) feel like we’re getting ripped off has ended. We’re in for a full, uninterrupted , 13 episode season this time around, and I couldn’t be happier.

The story of Deep Breath takes us back to Victorian England where everyone is amazed, and somewhat terrified, by the presence of a real-life Tyrannosaurus Rex in the middle of London. The Paternoster Gang (Strax, Jenny, and Vastra) are about to get to their crime fighting on, when a familiar blue police box is expelled from the maw of the mighty beast. Faced with a giant monster on the loose, a possible serial killer, spontaneous human combustions, and a version of The Doctor who isn’t really feeling like himself, it looks pretty bleak for our heroes.

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Being the first episode of a new series, and the introductory episode for a new Doctor, I was actually surprised at the way Deep Breath unfolded on our screens. The episode opens with the aforementioned T-Rex attack, something that is typical “premiere episode” fare. A lot of times, we have had season openers that go crazy with special effects and spectacle to gear us up for the rest of the season, much in the same way US television pilot episodes are a bit more “flashy” than the rest of the show. This episode starts that way, but slowly evolves into somewhat of a character piece that we usually do not see until around mid-season. I bet this slower pace put off some fans, but I personally found it a bit refreshing. My main concern with a lot of current Doctor Who is that the episodes sometimes feel constrained by the timeslot, running time, and a general lack of “breathing room”. With an episode title like “Deep Breath”, this breathing room seems built into the DNA of the episode itself.

Clara is given room to really show her personality, which is amazing because her story-arc in season seven had the potential to doom her as some sort of a gimmick-companion if she never matured past it. It’s almost like Steven Moffat listened to some of the criticism he has been given of late, regarding his writing of female characters, and gave them most of an episode to shine. The Paternoster Gang is given quite a bit of screen time, with Vastra and Jenny’s relationship dynamic getting aired out a little more than usual.

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This did come across sort of silly at times because a lot of it seems to be both of them constantly re-affirming to the audience that they were in fact married, just in case the subtlety of a lesbian inter-species marriage was too ambiguous for the audience to comprehend. I can just imagine some guy sitting in front of his TV completely baffled and exclaiming “wait, so these two women are MARRIED!!! what what WHAT!” That aside, I really enjoyed seeing this interaction between the two of them. Strax is basically there as comic relief like usual, and although he does the same jokes in every episode he is in, I love them each time.

Most importantly, this episode showed us the usual overly-manic side to The Doctor that always makes these introductions a bit unpredictable. His “regeneration sickness” played out much in the same way that the Sixth Doctor’s did in his first outing. Well, minus that whole “trying to kill the companion” business. There are moments where one really wonders if The Doctor is about to turn evil or something, but I think that’s because we’re so used to the more touchy-feely, less-alien versions of the doctor since 2005. Capaldi’s Doctor, once he mellows out, is definitely a throwback to a previous time with the moral ambiguity of Hartnell’s First Doctor and a dash of Fourth Doctor showing through the most.

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Hartnell had those moments where he was hardly what anyone would call a “good guy” a stark contrast to the recent “Space jesus” archetype that David Tennant’s Doctor especially had. One can recall the often referenced incident from the first serial where he was about to crush a caveman’s skull with a boulder simply because he was slowing the party down. This anti-hero tendency is revisited here in spades. Capaldi’s Doctor has a moment where is is left with a conundrum: in order to defeat his foes he has to either A) commit an act of murder or B) convince the villain that he has nothing to live for an “off” himself. Both are horrible choices, and The Doctor lays out the fact that he’s “hardwired” not to preform option A, but will do anything to protect Earth if he needs to.

When the deed actually happens, it happens off camera, with us only seeing the aftermath. The question ends up being: “did he do it?!” This hammers home the “theme” from the trailers, that went out earlier this summer, where The Doctor was asking the audience whether he was a good man or not, somehow I think this will pop up more this season. All-in-all Capaldi has already hit it out of the park for me, because a combination of Hartnell and Baker just happens to be a combination of my long-time favorite versions of the character.

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The Doctor had some great interaction with Clara this time around, and to me it almost seems like Clara and Twelve will “work” the best together, better than Clara and Eleven. One scene in particular involved the dynamic duo meeting in an Italian restaurant that hides a horrible secret. Clara is angry at The Doctor because he left her “high and dry” and seemingly went into great lengths to come up with a contrived puzzle for her to solve to find him. The Doctor says that the person that did the puzzle was an egotistical power hungry lunatic, which Clara takes as an apology, but it soon becomes clear that he is under the impression that she placed the ad, and is actually talking about her! There is also a joke in the scene where he tries to lie about where he got his new coat, one that reeks of all manner of horrible gutter smells that a typical Victorian homeless man would have. He almost makes it seem like he stole it from someone as he sheepishly answers her questions.

The all-important villain to this episode is somewhat surprising to me, because it marks the return of a “monster” that I felt was surely just a one-off, in the clockwork service droids last seen in The Girl in the Fireplace. That previous episode showed the droids actively looking for parts to repair their ship after the S.S. Madame du Pompadour was damaged. In desperation, they eventually killed the entire crew and used human flesh for the repairs, then went even more “crazy”. Somehow they got it in their clockwork noggins that the actual brain of their ship’s namesake would repair their ship. Deep Breath shows an even more dangerous version of these droids that seemingly survived “crashing” on mesozoic Earth after yet another failed voyage of a 51st century time ship, this time the S.S. Marie Antoinette.

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The droids have spent millions of years repairing themselves to the point that they have created their own religion and have lost all sight of their original purpose. The “leader” of this group speaks of “The Promised Land”, but seems confused as to what that actually means and how he is to attain his goal to go there, seemingly his plan is to simply survive by killing innocent people until it just shows up. Basically they have become “reverse-Cybermen” in that they are trying to keep themselves alive by grafting human parts onto their original machine bodies. The Doctor makes an apt remark about a hypothetical broom where one might replace the handle, then later replace the broom’s head. He questions whether this is in fact the original broom at all, in reference the the constant replaced parts used by these droids.

I really enjoyed Deep Breath, and although it had an odd pacing and seemed a bit “talky” it was one of the better opening episodes since the show came back. I honestly wish they would just make the episodes an hour long even though the U.S. Market would flip out due to our stupid 42 minute run-time rules. My only real complaint with the episode is that the initial set-up involving the Paternoster Gang investigating cases of spontaneous human combustion was overshadowed by the T-Rex attack so much that it made the whole thing seem tacked on. I’m not sure if it’s because the subject matter is fairly disturbing for a family audience, or that the episode was already pretty long, but it simply felt like a loose end. Next week, we have a new Dalek episode to look forward to, so check back soon to see what I though of Into the Dalek.

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P.S. “Missy” better be The Rani, I know she probably isn’t but having another renegade Timelord would be AWESOME!!

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Here’s Your Saturday Links for 8/23

Doctor Who Confidential

Why fans can’t wait for Doctor Who Extra

Described as ‘much more than a ‘making of’ show’, Doctor Who Extra will be comprised of twelve ten-minute programmes. It follows in the footsteps of Doctor Who Confidential, the much-loved and much-missed behind-the-scenes series which aired on BBC Three from 2005 until 2011.

Read More >

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‘Doctor Who’ companion Jenna-Louise Coleman leaving the show at Christmas?

“The conversations about Jenna’s exit have started, and a plan is in place which is being ironed out,” says the source. “By the time she leaves she will be one of the longest-standing companions ever. She has been absolutely brilliant in the role, but everyone agrees it is a part that should change after a period.”

Read More>

Robin Williams

Cover of Robin Williams

Robin Williams’s final film performance may have to be axed

“Simon Pegg, its star, tells me: “I’m not sure Robin had completed doing his voice in the movie. He was doing the voice of my dog and I hope that he had completed it because it would be a real shame not to have him in it. And of course there will be a degree of sadness there, but the work he did do would have been done with his usual verve and brilliance.””

Read More>

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‘The Quatermass Experiment’ Dated for Blu-ray

“In an early announcement to retailers, Kino will be releasing ‘The Quatermass Experiment’ on Blu-ray on December 2.”

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Ever Wonder how Scary the Doctor Who Theme Sounds Slowed Down?

Wonder no longer, I have your nightmare fuel right here!

http://www.youtube.com/watch?v=An-_WttF490

The Monday Meme: New Coke

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Here’s Your Saturday Links for 8/16

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Fleet Street goes sci-fi: Daily Express’s starring role in The Day The Earth Caught Fire

“An apocalyptic science fiction film showing the world overheating and society thrown into turmoil is about to be released. But this is no modern commentary on global warming and war – the film was originally shown in 1961. The Day The Earth Caught Fire, a pioneering production and scathing indictment on Cold War posturing, has been rescued from the archives and digitally restored for public release….”

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Best sci-fi books round-up: Where imaginations run wild

According to The Independent “Science fiction and fantasy is a broad church, and many who preach its tenets might not be wholly aware that they are doing so.”

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‘Tractor Beams’ Are No Longer Science Fiction

“Tractor beams – invisible tethers which pull space ships into cargo bays through no definable mechanism or physical law – are the latter. Or they were. Researchers at the Australian National University say they have developed what amounts to a tractor beam which is capable of pulling objects using 3D wave currents. “

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Peter Capaldi Discusses Matt Smith’s Final Day on Set

Peter Capaldi describes his first visit to the TARDIS set and what it was like to take over the role from Matt Smith.

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Red Dwarf XI Confirmed at Convention

“A big update came during the Sci-Fi Scarborough convention on Saturday a Red Dwarf panel comprised of Chris Barrie, Danny John-Jules and Robert Llewellyn confirmed the news. John-Jules said that shooting is scheduled to get under-way in October 2014 with a view to being aired on Dave in Autumn 2015.”

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This Is What Happens When Someone Drunk Texts A Dr. Who Fanatic

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Click here for more of the hilarity!
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The Monday Meme: Hipsterism

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Image from Doctor Who: Carnival of Monsters

If you have a funny image that would make a great edition of The Monday Meme, feel free to send it to my Tumblr, Facebook, or email it to me! Links for these options are located in the links at the top of the page! Don’t be surprised to see it on here someday!

Doctor Who: Rose (2005)

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It’s been a funny few weeks in Doctor Who fandom! First we had some long-awaited trailers finally hit the airwaves, then the “leaks” happened. It seems somebody figured out how to access BBC worldwide servers in Florida, and discovered scripts and a few “screener” episodes left unsecured. Don’t worry folks, I don’t plan on downloading the leaked Peter Capaldi episodes, much less writing about them, mainly because they aren’t full episodes and have no special effects (or so I’ve heard). There was one time where my willpower wasn’t as strong, and I immediately remember what the Doctor Who community was going through almost NINE years ago (it doesn’t seem like that long ago). Take a walk down memory lane with me, as we discuss Rose, as the first in a series of “backlog reviews” to fill in my review catalog.

Way back in 2004, I joined a now defunct Doctor Who message board to fulfill a nostalgia trip I was having. As a small child, I absolutely LOVED Doctor Who. It ran on my local PBS station late at night, and I always looked forward to staying up late with my mom and watching one of the most exciting TV shows I had ever seen at the time. This eventually faded, as PBS stopped airing the show around 1990 and Star Trek: The Next Generation became “my thing”. It wasn’t until college when I started seeing tapes of various episodes coming into my college retail job, that I thought “hey, I miss that show!”. I started renting DVDs and joined this message board to see if the show was still continuing in some way. I had no idea that there were audio dramas, comics, books, and all the other material that populated the “wilderness years”. Then I learned it was coming back!

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Flash forward to 2005, and I find myself downloading a “leaked” copy of Rose on Bittorrent. As I recall, I excitedly woke my (now) wife up at some alarming time like 8:00 am on a Saturday (I’m a night owl) and basically forced her to watch it with me. I had secretly found out about it the night before, and wanted to surprise her. It was like Christmas morning for a small child, I simply could not wait any longer to dig into my presents. The leak of Rose, The very first Christopher Eccleston episode of the show, was one of those things that I suspect everyone on that forum did secretly, then pretended they did not online. I have no regrets for doing it as I ended up getting even more excited for the show’s return, and downloaded all the rest of the episodes. This was before the show was airing in America, before it was one of the more popular nerdy fandoms over here.

With Doctor Who coming back, there was a lot of pressure on the show to perform. Not too far from 2005, the whole idea of the show was something of a laughing stock after it was unceremoniously divorced from the BBC airwaves. Rose had two things that it absolutely HAD to get right for the show to succeed. Firstly, it had to introduce a new sidekick character, a person we would be viewing the show through. He/She had to be good enough to attract the old fans back to the show, and attempt to gain new fans – namely the criminally overlooked female market. Some might say that such a character isn’t wholly necessary, but I disagree. The Doctor NEEDS someone to talk with, teach, learn from etc. Secondly, and more importantly, Rose had to re-introduce the concept of The Doctor himself to a whole new generation of TV viewers, many of which were probably not even alive when the show was yanked off the air in the late 1980’s!

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Rose is essentially a second part of a two-parter that we do not see the beginning of. When we join up with Rose herself, she is going about her typical day at a retail clothing store, only to find something strange going on. She notices an army of walking plastic mannequins in the stores basement, and is almost attacked if it wasn’t for the appearance of a strange man calling himself “The Doctor”. It seems that something bad is going on regarding the window shop dummies, and he needs to blow something up on the roof to stop them. Rose escapes just in time, only to see life explode right in front of her eyes, as The Doctor presumably destroys her workplace. From here on, Rose is left with what we can see is an unsatisfying life. Her boyfriend would rather be at the pub watching a game than spending time with her, and her mother is somewhat classless and controlling. Rose perhaps puts it best herself: “I’ve got no A-Levels, no job, no future…” The only bit of excitement left is attempting to figure out exactly who this “Doctor” is, and why he’s doing the things he’s doing.

As a character, Rose is fairly atypical for the female lead in Doctor Who (up to that time) , and in many ways she isn’t all that similar to those that came before her. Both are from lower-class upbringings, and both have the “street smarts” that some of the other, more refined companions may have lacked. That isn’t to say all previous companions were the often-stereotyped “screaming girl that gets in trouble/twists her ankle”, but he large majority ended up that way. Unlike Ace, Leela, or even The Brigadier, she isn’t a warrior by any means, but she’s determined and brave. She feels like she has nothing to live for, so being with The Doctor is her escape.

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I recall being less than enthusiastic about Billie Piper‘s casting, as she was presented to me as “The UK’s answer to Britney Spears” according to various message boards and magazines. To me, she sounds like any other 90’s pop singer that was trying to copy the popular vibe of the Spice Girls and failed at it. She reeked of “stunt casting” and that sort of thing never usually works out very well here in America. Many TV shows make a habit out of jamming popular singers into cameo roles that they have no business taking part in, Justin Bieber comes to mind for one of the more egregious examples. At least for me, this fear was put to rest pretty early on in Rose, as I felt the character was something refreshing to the show, and Piper was doing an adequate, if not pretty good job portraying the character.

Rose is joined by a few characters that aren’t really companions, (at least not yet) but exist to keep her grounded on Earth in some capacity. Not only does this give The Doctor and Rose a group of recurring characters to work with, but it helps explain why his adventures had a tendency towards taking place in London rather than the other nearly infinite amount of places he could have been traveling. One will immediately look back to Jon Pertwee‘s tenure on the show for an older example of this, but in the case of the 2005 series of the show, I can only assume that budgetary limitations were the main reason behind this. In the case of Rose, these characters are a bit different from agents of a military organization that The Doctor is working for, because it’s Rose’s own family we get to see a lot of. Camille Coduri plays Jackie Tyler, Rose’s own mother, and Noel Clarke plays her somewhat estranged boyfriend Mickey.

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There isn’t really a whole lot of big special effect showcases in this episode to write home about, and the few instances of computer generated effects or creature make-up we do see is somewhat average at best. Things like the Auton costumes (the aforementioned mannequins) are hard to be wowed over because it’s just a guy in a mask walking like he’s made of plastic. The Nestene consciousness is a blob of CGI in a pool, and things like a fake Mickey that pop up are decent, but not great. Later episodes in this season have amazing special effects, so it seems the production staff kept it reigned in a bit for this first outing.

The only issue that I have always had with Rose is it’s tendency towards childish slapstick. Being ever so close to the eighth season of the show as of this writing, looking back at this first season is sort of jarring. Once David Tennant really got a few seasons in the can, and especially with Matt Smith, the show itself took a far more serious turn. That isn’t to say this season is “fluffy”, it’s just a bit weird in tone. One can see that Russell T. Davis was attempting to play all of his cards to see what stuck, and that means we get some “kiddy stuff” occasionally.

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One scene in particular is pretty rough, and it’s an infamous one involving Mickey being eaten by a sentient trashcan. It seems the Autons place a possessed garbage bin at the front lines in their battle with The Doctor, and it decides to eat Rose’s boyfriend to gather intel. This already sounds dumb on paper, but it gets worse when the whole thing is punctuated by a cartoonish “burping sound” once Mickey enters the bin. Luckily, the second half of this season finds a better balance between comedy and drama.

Earlier I compared Rose to a Jon Pertwee episode, and there are many reasons I get this vibe and keep making such comparisons. First and foremost, this episode stars the villainous Autons. The Autons are a race of living plastic creatures, last seen in a few Pertwee episodes and most notably his very first serial Spearhead from Space. I think the Autons worked better in the 70’s as a commentary on commercialism, but it’s cool seeing them once again so many years later.

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Rose is basically nothing more than an average episode of Doctor Who, but it is elevated quite a bit, as it is arguably the most important “average episode” produced since An Unearthly Child. I don’t actually like using this episode to introduce folks to the show due to it’s all over the place tone, and almost embarrassing trash can scene, but it still holds a warm place in my heart. I will always remember waking up early, only to watch a pirated copy of a leaked episode of the show, as stupid as that sounds. I have a better memory of this than other things that folks are expected to remember vividly, things like watching Star Wars for the first time. Nine years on, Rose is still one of my favorite episodes of this new series.

Notice how I didn’t even mention Chris Eccleston’s portrayal as The Doctor? Check back next time, and I’ll chime in when I’m talking about The End of the World!

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Doctor Who Returns to US Theaters August 23rd

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“The Doctor has regenerated and now Clara has to deal with the fact that her best friend appears to have changed completely…Meanwhile, the newly regenerated Time Lord must face a terrifying monster as the Twelfth Doctor’s era begins in dramatic style!”

Did you miss Doctor Who’s 50th anniversary theatrical run last winter? Well, it looks like you have another chance to watch out favorite time lord on the big screen. BBC and Fathom events just announced another partnership starting on Saturday, August 23. That night, there will be 12 theatrical events in 12 cities at 12 am / midnight to celebrate the launch of the new season.

Apparently a long-run theatrical edition of Capaldi’s first foray into the Tardis, Deep Breath, with bonus footage will be shown. Reports are vague, but I’d imagine it will have featurettes like last time. If you don’t live in one of those 12 bigger cities, the episode rolls out a few days later with two showings at 7:00pm and 9:30pm (local time). The event will be presented in more than 550 select movie theaters around the country through Fathom’s Digital Broadcast Network.

“Deep Breath,” is a pulse-racing adventure through Victorian London. Directed by Ben Wheatley and written by Steven Moffat, the episode stars Peter Capaldi as the Doctor, Jenna Coleman as his companion Clara Oswald, Neve McIntosh as Madame Vastra, Catrin Stewart as Jenny Flint and Dan Starkey as Strax.”

For more information, check out Fathom’s event page HERE

To read my theater experience from last Winter, click HERE

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Link: Doctor Who: Where in the Whoniverse are the Doctor’s pals now? – Wales Online.

Bonus Link: The Curse of being a Doctor Who Companion