(A.K.A. Season 1 episode 5)
The last scene of the fourth episode of The Tripods seemed to spell out certain doom for our rag-tag group of wandering runaways. Will was seriously injured in a run-in with Parisian vagrants, and was having trouble staying conscious. The boys narrowly escaped the situation, only to find themselves being surrounded by men on horseback while Will lay motionless in the mud. Considering all the trouble with The Blackguards (The Human Tripod enforcers) I immediately assumed that they had been tracked down and were in some serious trouble. This was of course a typical cliffhanger ending for this show, and things turned out better than expected.
Speaking of the cliffhangers, I mentioned that they were great in a previous review, but didn’t really elaborate why. Many shows do these sorts of endings, and it seems like BBC science fiction especially loved this trope. What really sets these apart, is that the characters are almost always in some sort of horrendous peril at the end of any given episode. Since my wife and I have been “marathoning” these episodes, it’s really hard for us to stop watching as we want to know what happens next.
So anyway, Will wakes up with his wounds cleaned up and dressed in a comfortable bed. A French girl named Eloise explains that her family discovered the trio whilst hunting for wild boar on their land. Eloise’s family is definitely one of great wealth considering the size and grandeur of Chateau Ricordeau, the clothing worn by everyone, and the fact that they have servants. Will is initially horrified that he possibly blurted out their intentions on finding The White Mountains, or that they are wanted fugitives from a Blackguard prison. Thankfully this did not happen, and the French aristocrats all assume they are simply travelers. Beanpole points out that these are not “ordinary people” as they did not turn them in, in fact they seem to see value in young people having a sense of adventure, odd for ‘capped” citizens.
While the Duke and Duchess of the Chateau seem pretty decent in many ways, we are introduced to a real “winner” of a character named Duc De Sarlat. Much in the same way that King Joffrey is the most hated character in Game of Thrones, Duc De Sarlat is immediately a total A-hole. Robin Langford does a great job of portraying a character that seems not only pretentious, conniving, and backstabbing all at the same time, just by standing there making a sour face. He just has one of those faces, like he would be the guy at a party that likes to one-up everyone else, or drive a fake Ferrari covered in Axe body Spray. When told that everyone shall be speaking English to make the buys feel at home, D-bag De Sarlat basically throws a fit and makes himself look like some kind of man-baby. When he is put in his place, he acts even more ridiculously and tries to turn them in to the local authorities, and thus reveals that they are all uncapped. Truly a great minor antagonist, I wouldn’t say he’s truly a main villain, but pretty close.
The first real tension between the boys starts to spring up in this episode. It’s almost immediately evident that Will has fallen in love with Eloise, and has diverted his attention from the task at hand. Henry and Beanpole want to leave as soon as they can, but Will is reluctant. The Chateau is his chance of not only living the life of an aristocrat, but falling in love. He obviously has not thought out his plans, because staying here would result in his “capping” and Eloise has been betrothed to Duc De Sarlat.
Episode five isn’t the most action-packed of the episodes we’ve seen so far. In fact, it nearly lacks any shimmer of science fiction, and as such resembles a period drama. While it does lack in excitement, this episode does a solid job of moving the characters along. Will has always been an impulsive character; thinking with his heart rather than his brain. This episode really showcases this fact, and I loved the tension that ensued from his actions. And with the Duke and Duchess basically giving him the right to marry Eloise in return for a kind deed (saving her life), things are only going to get worse.
Obligatory purchase links:
- The Tripods (1984) – The English Channel: July 2089 AD (anamericanviewofbritishsciencefiction.com)
- The Tripods: (1984) France, July 2089 (anamericanviewofbritishsciencefiction.com)
- The Tripods England (1984), July 2089 AD (anamericanviewofbritishsciencefiction.com)
- The Tripods (1984) – A village in England: July, 2089 AD (anamericanviewofbritishsciencefiction.com)